To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. His work centered on people living ''outside of time'' with traditional jobs and skills that had been passed down through generations. She studied a variety of studio arts, including drawing, painting, and printmaking in addition to her training in traditional film and darkroom photography.

S. Air Force and sent agents into East Germany and elsewhere behind the Iron Curtain in the early 1960s. I'd be interested to know how the book was compiled; whether photos were chosen then comments added like an ink blot reaction, or the photos were interpretive. Is it light tracing an object or the shape a body throws when it comes between a light source and a surface? Is it a metaphor for the intimate, darker side of a person’s nature-as Carl Jung postulated-and the unconscious side of one’s self, where daemons and secrets are kept hidden or repressed?Shadows, a new collaborative series by Alexandra Grant and Keanu Reeves, explores the real and symbolic nature of the shadow as image and figure of speech. Réhahn discusses his groundbreaking new photographic series ''Memories of Impressionism,'' his artistic journey during and after Covid, and how modernity can draw inspiration from the past. By using the Web site, you confirm that you have read, understood, and agreed to be bound by the Terms and Conditions.

Harris, and Paul Martineau plumb Tress’s work and archives, studying ephemera, personal correspondence, unpublished notes, diaries, contact sheets, and more to uncover how he went from earning his living as a social documentarian in Appalachia to producing surreal work of “imaginative fiction.Eye mama was created by BAFTA-nominated filmmaker and photographer Karni Arieli during the pandemic, when everyone around the world was in lockdown and spending more time in the home, often consumed by caregiving. Bringing together works from his groundbreaking monographs including Surfers, Yes Rasta, Trenchtown Love and Gypsies, Patrick Cariou: Works 1985–2005 (published by Damiani) takes us on a scenic journey around the world, offering an intimate and captivating look at cultures that distance themselves from the blessings and curses of modernity. Grant’s photographs capture Reeves’s shadow at times as a silhouette and at others as traces of light as he and the camera move together.