Pastoral Song: A Farmer's Journey

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As a witness to his grandfather’s careful attention to the land as well as the stress and burden his own father carried trying to stay financially viable amid massive food system consolidation and modernization, Rebanks is in a unique position. And he is willing to share what he has learned, and is humble enough to admit what he has yet to figure out. “I have worked here my entire life, but I am only now beginning to know this piece of land.” Torn between what is good and what is necessary, Rebanks educates his readers on the workings of his own farm, like soil biology and animal breeding, and suggests possibilities for the future of food, such as a return to diversification in animal and plant production and a revitalization of local food-processing infrastructure. He is eloquent — scenes of mud and guts are interspersed with quotes ranging from Virgil to Schumpeter, Rachel Carson to Wendell Berry … English Pastoral builds into a heartfelt elegy for all that has been lost from our landscape, and a rousing disquisition on what could be regained — a rallying cry for a better future.”— Financial Times

Lyrical and passionate … I was gripped from the very first paragraph … Rebanks has shone a brilliant light onto a world about which the vast majority of people know little … a cri de coeur for a healthier countryside, rather than a manifesto … a magnificent book.”— Literary Review

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The book is divided into three parts, and these are subdivided into short sections that hold anecdotal tales or brief arguments about the benefits or problems with different farming practices. Rebanks presents a nuanced view, influenced by his reading of Rachel Carson and his life on his family's farm. The overall narrative is about striking a balance between industrialisation in farming and keeping traditions alive, presented with some suggestions for future farming in the last chapter. A vividly-recalled memoir of a farming childhood, but also a forensic defence of the kind of agriculture that has nearly been wiped out. ... Perceptive, eloquent, and passionate. ... Rebanks writes so well that I can’t imagine anyone starting to read it and not being eager to read it all at once, as I did, and not being moved by the life and the landscape he describes so well. I was thrilled by it.”— Philip Pullman,#1 bestselling author of the “His Dark Materials” series?

Rebanks's connection to the land is palpable in the stories he tells of his grandfather and parents. As a young boy, Rebanks describes himself as work shy and easily captivated by the TV, "in danger of becoming a disappointment," that is, until his grandfather takes him under his wing. His father, a somewhat surly man, doesn't have the temperament or patience to engage the youngster. Rebanks only begins to understand the tensions of the economic realities of the farm as he grows into adulthood and realizes the weight of responsibility that rested upon his father's shoulders. Our land is like a poem, in a patchwork landscape of other poems, written by hundreds of people, both those here now and the many hundreds that came before us, with each generation adding new layers of meaning and experience. And the poem, if you can read it, tells a complex truth. It has both moments of great beauty and of heartbreak. It tells of human triumph and failings, of what is good in people and what is flawed; and what we need, and how in our greed we can destroy precious things. It tells of what stays the same, and what changes; and of honest hard-working folk, clinging on over countless generations, to avoid being swept away by the giant waves of a storm as the world changes. It is also the story of those who lost their grip and were swept away from the land, but who still care, and are now trying to find their way home. Near the end of the book, as he catalogues all the changes that must occur to combat the farming crisis, he implicates the reader by switching to the pronoun “we.” His rhetoric fails to inspire because unlike the memoir portions of Pastoral Song, he discards concrete details for abstract ideas. He writes: “We are all responsible for the new industrial-style farming. We let it happen because we thought we wanted the sort of future it promised us. Now, if we want a different kind of future, we need to make some difficult decisions to make that happen.” What decisions need to be made? How will they affect the future? Even in the climax to this section, he drifts into generalization: “Some of the solutions are small and individual, but others require big political and structural changes.” James Rebanks’s fierce, personal description of what has gone wrong with the way we farm and eat, and how we can put it right, gets my vote as the most important book of the year ...Some books change our world. I hope this turns out to be one of them.”— Julian Glover, Evening Standard English Pastoral’ is a beautiful portrayal of an English farming family, this is incredibly enjoyable as well as being insightful. I absolutely loved this.

Pastoral Song

Rebanks has a gift for capturing both the allure of his beautiful surroundings and his difficult work, and for articulating the complex, worrisome issues facing farmers today. Pastoral Song enchants. ... Urgently conveys how the drive for cheap, mass-produced food has impoverished both small farmers and the soil, threatening humanity's future." — NPR.org, What We're Excited to Read Next Month This work explains how farming used to be and how it was changed as big supermarkets forced down prices at the farmgate and the nature of the work was transformed, and land brought to the edge of ruin. Through the eyes of James Rebanks as a grandson, son, and then father, we witness the tragic decline of traditional agriculture, and glimpse what we must do now to make it right again.” Rebanks: “I have worked here my whole life, but I am only now beginning to truly know this piece of land. I stumble across a field at a different time of day, or in different light, and I feel as if I have never seen it before – not the way it is now. The more I learn about it, the more beautiful our farm and valley become. It pains me to ever be away. I never want to be wrenched from this place and its constant motion. The longer I am here, the clearer I hear the music of this valley: the Jenny wren in the undergrowth; the Scots pines creaking and groaning in the wind; the meadow grasses whispering. The distinction between me and this place blurs until I become part of it, and when they set me in the earth here, it will be the conclusion of a lifelong story of return. The “I” and the “me” fade away, erode with each passing day, until it is an effort to remember who I am and why I am supposed to matter. The modern world worships the idea of self, the individual, but it is a gilded cage: there is another kind of freedom in becoming absorbed in a little life on the land. In a noisy age, I think perhaps trying to live quietly might be a virtue.” p216

James Rebanks’s story of his family’s farm is just about perfect. It belongs with the finest writing of its kind.”— Wendell BerryWe are choking to death on our own freedoms. The merest mention that we might buy less, or give anything up, and we squeal like pigs pushed away from the trough.”